Just one of the things I miss seeing in my restricted life, a brackish marsh on the coastline. When I showed this to my mother, she said, "Did you take that today?"
"How in the hell would I have taken this today? I can't go anywhere."
"Neither can I."
And there it is. That is how she feels. O.K.
I spent most of yesterday--which means my few hours at my own home--taking things out of the drawers of one desk and putting them into the other. I had to go through things one by one. Mostly. One drawer held little wooden animals, another Hot Wheels cars. I never go in these drawers, so there were some surprise memories. One drawer held five eyeglass cases. One had a pair of RayBan sunglasses I must have forgotten about long ago. Another held an old prescription pair, and yet another reading glasses.
I found postcards I had thrown into a drawer. A whole stack were from my friend in the Midwest who does nothing but travel now, postcards from all over the world. There was another stack from Q's old girlfriend, the one he took to NYC oh so long ago. She was a real pip, smart for a twelve year old, and I envied him her. All the postcards and letters were from the time she spent in India. She was living the hippie Vida Loca, or should I say the Veda Loca, then. She came to see me a couple of times when she was in my own home state, then nothing. Q still stays in touch with her. I think she lives in that den of inequity, Berlin.
There were little notes on torn scraps of paper from Ili that broke my heart all over again, and there were reunion messages from Sky.
And there were small, dangerous things from my own secret past, thrilling notes from girls in that period after my divorce.
There were a few cards from Q when he was an infamous disc jockey in places far and wide.
I found my old iPod and its accoutrements. The thing felt lovely in my hand. 1990s stuff. I hooked it up to its charger and plugged it in. I'll see today if it still works. I haven't turned it on in this century. Can't wait to hear what is on it.
And pens. Oh, my . . . I used to have a fetish. Mont Blanc Meisterstuck pens, both roller ball and fountain. And there were ink cartridges. I loaded one in, but the nib was dried. I squeezed some ink through it and it wrote a bit, but I am going to need to soak and clean that nib before it is right. Waterman fountain pens. Two. Some antique Parker pens, and two or three mechanical pencils.
And about fifty other pens of different types. And boxes of pencils, brand new #2s.
Then the jewjaws and jibjabs, little Buddhas, a whale's tooth, a shark's tooth, and some carved faux-ivory things. An elephant's hair bracelet. An ostrich egg. A carved and painted Arab slave. Some tintypes I made at the turn of the century in Oakland with a fellow who also taught my tragic old friend, Ed Ross, the Apple Corporate attorney and photographer extraordinaire.
There were tiny image transfers I had made and framed photos of my mother and I last century. And there were photos from much of my old life.
Then. . . oh, my. . . folders and folders of paperwork. Tax forms and statements going back to forever. Home insurance packets. Car insurance packets. Checks I apparently never cashed. A photocopy of my birth record of some kind, some photostatic thing. The title to my old Volvo in my ex-wife's name. Did I ever own it? Probably not. The transfer of title of my old Jeep. Stacks of medical records from my accident. All the financial shit required when I retired from the factory. Overwhelmed as always, I stuffed it all into a big wicker basket and closed the lid.
Other things. I whistle flute from Peru. Old photos I bought from markets.
It took a long time, but when I had put my hands on everything and had decided where they would go in the new desk, I sat down, turned on the lamp, and wrote some things. It felt lovely. Everything looked perfect, or at least interesting, so that now I want to go through every drawer and shelf in the house and make my home art again. The aesthetic arrangement of elements. I have always bought odd things that have caught my eye, but I have left them untouched for years. Ili did not like my past and I was scared to do anything with them out of fear. She threw away so much of my old stuff. She wanted to erase my past.
Who can blame her?
If only I could spend nights at home working on pictures and writing letters, and, and, and. . . .
I will go there today, though, and be productive again. Not creatively yet, but in emptying drawers and determining.
If I had my life to live over again. . . .
And the music. You know I have very eclectic tastes. Last night, I saw a bunch of 1950's t.v. recordings of Billie Holiday, a wonder that they still exist. The one here is remarkable for the music. Her voice was an instrument, of course, the phrasing of notes, but this band assembled here. . . omg, as the kids used to say, they are the embodiment of excellence and restraint, leaving room for one another, not running through the scales but playing just what should be played. This performance, and the others, were years before Miles Davis' iconic "Kind of Blue" which set the standard. But listen and you will see what I mean.
Aesthetic intelligence. Oo-la-la.





























